Auf Discogs können Sie sich ansehen, wer an Cardsleeve CD von Yes Sir I Can Boogie '90 mitgewirkt hat, Rezensionen und Titellisten lesen und auf dem. "Fantasy Boy" war einfach das Beste dieses Projekts ("Gruppe" kann man New Baccara nicht nennen, es war ja nur ein reines Studioprojekt und ein Aufguss. Yes Sir, I Can Boogie von New Baccara () (Vinyl) und weitere New Baccara Alben jetzt bequem und günstig bestellen bei recordsale.
Oh no, there's been an errorEntdecken Sie Veröffentlichungen von New Baccara auf Discogs. Kaufen Sie Platten, CDs und mehr von New Baccara auf dem Discogs-Marktplatz. Baccara ist ein spanisches Disco-Duo, das in den Jahren 19als weltweit erfolgreichstes weibliches Gesangsduo galt. Benannt ist es nach der Baccara-Rose. New Baccara - Yes Sir, I Can Boogie - Not On Label: aerostat-adventures.com: Musik.
New Baccara On Air Now VideoNew Baccara - Touch Me (1989)
Biography Discography Booking. RU EN. Golden hits Baccara 9 tracks. Cara Mia. Feel Me. Gimme More. Love You Till I Die.
Somewhere In Paradise. Sorry, I'm A Lady. However, two incarnations of the original Baccara appeared during the s, with Mendiola fronting New Baccara and Mateos keeping the duo's original name.
In the s, New Baccara reverted to Baccara, and since then both Mateos and Mendiola lead different duos with the same name.
The song was adopted by fans of the Scotland national football team in , following the team's qualification for Euro It first became used locally in , following a stag party video of Aberdeen defender Andrew Considine miming to the song while dressed in drag.
Five years later, Scotland defeated Serbia on penalties to reach their first major tournament since , and videos of the players including Considine chanting the song after the match went viral.
The singers were rapidly gaining popularity, their songs were in rotation on all radio stations in Europe, they were frequent visitors of popular programs and shows.
Recorded in the following year song The Devil Sent You To Laredo brought phenomenal success to the group — the hit could be heard absolutely everywhere and it has become one of the most favorite songs not only in Europe but also in the USSR, where by the early 80s Baccara's music has already managed to receive love of millions of people.
In the 80s both singers came to the decision to start a solo career. Maite, having recorded several singles, later on most of the time devoted to dancing and teaching.
In the mid 80s Maria was offered to participate in the project New Baccara together with Marissa Perez. The compositions written specially for singers by famous and talented arranger and composer Louis Rodriguez - Call Me Up, Fantasy Boy and Touch Me - have become well-known euro-disco hits.
Later that year, a self-titled album , written and produced by Soja and Dostal, was released. The album Baccara was the first platinum selling album—actually double platinum in —by a foreign group in Finland.
In , the album still remains the sixth biggest selling album of all time in Finland. A follow-up single, "Sorry, I'm a Lady", was also an international hit, peaking at the top of the charts in Germany, the Netherlands and Belgium and reaching the top ten in the UK, Sweden and Switzerland.
They recorded different language versions of some songs see Discography below. Touring in Europe during the late s helped the duo establish a firm fan base in Germany where their records continued to be produced and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia.
Baccara represented West Germany at the eighth World Popular Song Festival held in November — until it ended in the largest such contest in the world.
Their song, "Mad in Madrid", came 14th out of 37 participating countries. However high sales, particularly in Denmark, Sweden and Belgium, meant that the single was a commercial success.
Further recognition came in when Baccara was granted Germany's most prestigious media award, Burda Publishing Group 's Bambi prize.
This is offered annually to "celebrities whose abilities have impressed, moved and enthused the people in Germany". Both of these Baccara recordings have become iconic.
In , the album Colours and the separately-recorded single "Eins plus eins ist eins", released to mark the United Nations ' International Year of the Child and celebrate the 20th anniversary of the UN adoption of the Declaration of the Rights of the Child.
Although still successful, sales of these and other releases in were disappointing. Baccara's fourth and final album in the band's original incarnation was Bad Boys , released in By this time, the disco sound had been overshadowed by newer music movements such as punk , new wave and synthpop in much of Europe and interest was largely confined to those countries where the duo had an established fan base, notably Germany.
The album was not released in the UK or US; they never achieved any recognition in the US despite some of their songs being given significant airplay.
One music critic suggested that the Baccara formula lacked artistic depth but had been "mined for all it was worth" over two years until public interest moved on to other things.
The New Musical Express commented in May "Think what you like about Baccara, seen today their Eurovision performance has a certain style while their competition from that event looks dated and amateurish".
The single release of "Sleepy-Time-Toy" led to a disagreement within Baccara over the vocal mix used. A court hearing in Munich resulted in , records being recalled from dealers and a revised recording with a new vocal mix being issued in place of the original.
A 28 second instrumental bridge was removed from the start of the recording thereby reducing the play time from to and the vocals were remixed so as to give Mendiola and Mateos equal prominence.
The artwork for the single's cover appears to have remained unchanged.At the same time Baccara performed at a prestigious music festival in Tokyo, where they ended up being 14 th. Rama Margarine Inhaltsstoffe in Europe during the late s helped the Pokerstars Geld Auszahlen establish a firm fan base in Germany where their records continued to be produced and the Scandinavian countries, and their Spanish-flavoured interpretation of the disco sound also brought them recognition in Japan and Russia. The singers were rapidly gaining popularity, their songs were in rotation on all radio stations in Europe, they were frequent visitors of popular programs and shows.